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Early YT post : My Retouching Workflow
🕑 Added 2025-06-04 22:14:31 +0000 UTC🎓 Stretch’s Retouching Workflow – Step-by-Step (With Some Real Talk)
Yo, if you’ve been asking how I retouch my photos after y’all seen the BTS shoots—this is it. I’ve shown y’all how I shoot, now it’s time to show y’all how I cook these edits. Real simple, nothing wild, but it hits every time.
🛠️ What I’m Using
Camera: Sony A7R V (shooting RAW, always)
Lens: 105mm @ f/1.4 (not the sharpest, but my lighting makes up for it)
Tablet: Wacom (not required, but trust—it’ll make your life easier)
Software: Photoshop w/ my own SLV Retouching Pack
📸 The Whole Flow
1. Shoot It Right First
“If you get it right in-camera, your retouching goes from 30 mins to 5.”
I stress this nonstop in the Certified Shooters community. Less work later if you nail the light and composition early.
2. Lightroom Adjustments
Slight contrast boost
+14 vibrance (never touch saturation unless you have to)
+3 clarity, +2 texture
+10 sharpening (already at 40, so bumping to 50)
Tweaks only—nothing dramatic
3. Photoshop Time
Duplicate the layer (Cmd+J)
Zoom all the way in – your edits need to be pixel-level
Clone Stamp Tool for cleaning flyaway hairs, blemishes, etc.
Remove Tool (AI): super clutch for faster cleanup, especially on hair – shoutout to the Certified Shooters who put me on
Frequency Separation (I prefer the skin smoothing version for mid-distance shots)
✍️ Blemish Cleanup & Skin Retouching
Clone Stamp on high layer for blemishes (zoomed way in, always)
Don’t drag your pen—option-tap-draw, option-tap-draw (every blemish gets individual love)
For tough spots, use the Remove Tool as a backup
Make sure you match tones—don’t drag skin from shadow into highlight, etc.
🌀 Low Layer Blending
Use Mixer Brush to blend highlights and shadows
Light, precise strokes only—always pick up your pen
Aim is smooth transitions, not plastic skin
Zoom out often—how it looks zoomed out is how the world sees it
🔥 Dodge & Burn (Optional, but Fire)
Burn Layer = shadows, Dodge = highlights
Flow at 1%
Every pen lift = more flow = more intensity
I only add a few % in each area—less is more
This step adds depth and dimension to the face & body
🌈 Final Color Tweaks
Hue/Saturation sliders – I sample the trees or background colors, shift greens to make them pop more
If it messes up other elements (like tassels), use a mask & paint it out
Optional: my SLV Color Booster – drag to 50%, paint over skin to cancel orange tones, then boost vibrancy for that chef’s kiss finish
🧼 Realism Over Perfection
“I don’t like my photos looking AI’d out. Still gotta feel real.”
I leave natural textures like arm hair alone sometimes—client comes first, but I still want it to look like an actual photo, not plastic.
🧠 Final Takeaway
“Don’t overthink it—get the basics down, practice, and stay consistent.”
This ain’t rocket science. Took me time to learn, but now it’s muscle memory. And if you wanna learn the even faster way I do it… well, that’s Certified Shooters info only.
Comments
Tray Visuals
ima need to watch this after getting back from Louisiana 😤🔥
