Broey Deschanel
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Are Film Critics a Dying Breed? (early access)
🕑 Added 2023-10-23 19:17:54 +0000 UTCSOURCES:
The Daily, “Our Film Critic on Why He’s Done With the Movies” The New York Times (2023).
Roger Ebert, “Do the Right Thing”, Roger Ebert (1989).
Stephen Farber, “FILM: The Power of Movie Critics” The American Scholar, Vol. 45, No. 3 (Summer 1976).
Stephen Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”, (1973), The New York Times.
Nick James, “Rip It Up: Revitalizing Film Criticism” Film Quarterly, Vol. 62, No. 3 (Spring 2009).
Nick James, “Who Needs Critics?” Sight and Sound (2012).
Ian Jarvie, Towards an Objective Film Criticism” Film Quarterly, vol. 14 (3) (1961).
Pauline Kael, “The Current Cinema: Tango”, (1972), The New Yorker.
Manuela Lazic, Who needs film critics when studios can be sure influencers will praise their films?” The Guardian (2023).
Geoffrey Nowell-Smith, “The Rise and Fall of Film Criticism” Film Quarterly, Vol. 62, No. 1 (2008).
Michael Powell, “A Survivor of Film Criticism’s Heroic Age” The New York Times (2009).
B. Ruby Rich, Film Criticism in the Era of Algorithms” Film Quarterly, vol. 70 (2) (2016).
Martin Scorsese, “Martin Scorsese: talk to me about great films, not ‘content’” The Guardian (2021).
A.O Scott, “And Now Let’s Review …” The New York Times (2023).
Reggie Ugwu, They Review Movies on TikTok, but Don’t Call Them Critics” The New York Times (2023).
Comments
R.W. Scott
wow, great work, and I'm glad you found a hopeful note to end on. :) as a former failed youtube amateur film analyst (oof) my observation would be that the audience/critic relationship of this era seems to be about confirmation bias, and little else. And I'm as guilty of it as the next (the first video of yours I saw was on the fall of Tim Burton and I thought 'ah someone I can agree with', lol). Personally I feel like film and criticism go thru these more or less decade long cycles between the elevation of fantasy or realism. After 9/11 the needle swung hard over to fantasy for an irritatingly extended run, and I'm hoping the 2020s will see a return to powerful social critiques and ballsy taboo busting. Fingers crossed.
Tim Livingston
excellent as usual!
