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DITW 11-2: Bonjoubar
🕑 Added 2023-07-15 01:00:02 +0000 UTCDevlin revolted her. The snide look on his face showing the arrogant domination he played at. But what she hated most was how heâd beaten her. Sheâd gambled so much, risked it allâand lost. Losing the sanctity of her marriage and the vigor of her husband was only one component to her misery. Sheâd also lost the battle with this man she thought little of. The realization brought a chuckle to her throat, but it was quashed by the sudden horror that Devlin knew she had been in his apartmentânot from the report of his cleaning service, but because he had cameras, and had watched her play around with a Devlin-sized dildo in his bed while he was away. Devlin would see that as a victory, as another folding over of his opponent. She was smarter than Devlinâso much smarter Devlin didnât even see it. And yet here she was, shame-faced and admonished. Humiliated. Humiliated by a man only good for one thing: sex.
Devlin laughed at her stony reaction. âLook at that face,â he taunted. âIt makes you mad, does it? You donât have to be mad, Kimmy. Youâre welcome to my apartment, even when Iâm not in it.â
She still showed him no expression, no reaction.
Devlin played with his napkin, touching the corner of the linen, thumbing it over like he was lost in thought. Then he looked up, not at her, but around at the busy restaurant. They sat at a booth, her with her back at a half-moon banquette, and Devlin seated in a chair across from her on the other side of the table. He lifted his muscular bulk from his chair and swung into the banquette crowding her to one side.
She regarded him as coolly as she could even though her mind scrambled to assemble a defense if heâd seen her in his bed, watched her masturbate with an oversized dildo on his laptop. He would probably masturbate as well, watching her do it, dick in his hand and watching his security camera playback. No retort or warning came to her lips, no taunt or superior displayâshe was too afraid heâd seen what she did. He didnât stare at her or smirk or anything sheâd thought he would do. He ran his teeth over his bottom lip, still looking around the restaurant as if he was trying to find the right way to word something.
At last he regarded her. âI want to hope there was a good reason for you to be there. A good reason for my sake. Iâd like to think you miss me. Miss our time together.â
She stayed firm, no smile, no facial tic, only lifting one eyebrow a centimeter. âYouâre nostalgic?â
Devlin stroked his face, his large hand pinching his cheeks and drawing down, contorting his handsome face into something harrowed for only a moment. Then he let his face go and smiled. âWhat terrible things did you get up to in my apartment, I wonder?â
Her nostrils flared and she was sure he knew; sure heâd watched her fuck herself with a cock that imitated his. In his bed. In bed with his suit. Her eyes narrowed and she grimaced, hating that she could give away something of her emotion, but helpless to it now, picturing what Devlin would have seen, remembering her self-humiliation: sheâd put the enormous dildo through the unzipped fly of his empty suit and sucked it.
Devlin looked away, then looked at her again, his eyes showing some humor, not intimidation. âDid you molest my toothbrush, put it in the toilet?â He scrutinized her. âThat doesnât seem like your style.â
She lifted her napkin from the table and folded it into a triangular sail, her hands nervous and needing a task, putting the napkin on her lap with no purpose, flattening it on her thighs, looking down to avoid Devlinâs dark gaze.
âPlus, you probably know you couldnât put that toothbrush into any hole in your beautiful body that my tongue hasnât already explored.â
She muttered, âYouâre disgusting.â
His hand went over both hers and her folded napkin. He said, âHey,â and she looked up to meet his gaze, any sort of defiance she wanted to show cowering in shame. Now he said, âIâm trying to make you laugh, Kimmy. Not disgust you. I know I fucked up. Okay?â
Her eyes darted over his, looking for any tell that this was a manipulation, that heâd seen her play with herself in his bed, that this was a ruse meant to lower her guard so he could get the blade near her throat.
âI donât always get it right.â
She said, âYou did what I told you not to do. The one thing that I said was a deal breaker. One thing.â
He wanted to fight back, wanted to defend himself, inhaled a breath to arm his argument, but then exhaled. âI see it a different way. I see it your way tooâbut, yeah. I did what you said not to.â
She nodded her chin across the table. âGo back to your side.â His hand was still over hers.
âI was really... I was really hopeful when I heard you were in my apartment. Okay? I thought it might mean something. I know you donât believe it, but I have feelings. Real human feelings.â
âYou should can the sales pitch, Devlin. I will never fall for your bull shit ever again.â Now she looked his way and met his gaze with the strength sheâd been missing before.
âYou donât believe I have feelings?â
No hesitation: âI donât.â
Devlin was uninjured by her remark, still regarding her, those black shark-predatorâs eyes trying to portray a man of deep and complicated emotion. âI canât convince you if you donât believe. But itâs true that I miss you. I miss seeing you, I miss being with you. When I heard you were in my apartment, I hoped maybe you missed me, too.â
âI needed a nap.â
âWhen youâre on the clock?â
She smiled a cold smile. âI like that you miss our time together, Devlin. I like that a lot.â
He smiled as well. âWhat if youâre the cruel one? You think itâs me and itâs really you.â
She showed mock sympathy. âOh, am I cruel to you, Devlin? Do I make you miserable?â
He frowned, his thumb stroking her wrist. âDonât tell me I make you miserable. Donât make things up.â
She pulled her hands out from under his, and his hand remained on her lap. âIf you hurt Josh, you hurt me. If you you make Josh miserable, you make me miserable.â
âAnd if I turn you on, I turn Josh on. If I make you come, I make Josh come.â
She scoffed, disgusted by him. âGo back to your side, please.â
He stayed where he was, his hand heavy, resting high on her thighs. âYouâre symbiotic. You and Josh are one thing. You think I donât know that?â
âWeâre not one thing, Devlin.â
âYou just said it yourself. One organism, one unit, sharing a life, sharing emotions. Itâs you who did the wrong. Itâs me doing the right.â
That hurt. The wrongness heâd reminded her of weighted heavy now, dragging on her heart. âIâm going to make it up to him. Iâm going to make him love me again.â
âHe loves you, Kimmy. He loves you more than anything. Maybe he loves you more now. The real you. Just give him what he wants. Donât deny him.â
She grabbed his hand but didnât pull it away, didnât want to make a scene in the busy restaurant. âGo back to your side, Devlin.â
His thumb hooked over hers, and his fingers parted. Her slim fingers worked between his, holding his hand, wanting to pull it away and wishing he hadnât pulled the plug on their devious fun.
He said, âIf you stop what we were doing, explain to me how you arenât the cruel one?â
âI didnât say Iâm not cruel.â
âAre you careless?â
She nodded.
âIf what we did was wrong, youâre cruel. If what we did was wrong, Josh would be long gone.â
âHe doesnât know what we did.â
âHe knows, Kimmy. Trust me, he knows.â
Josh knew but wouldnât face it, wouldnât ask her to come clean, wanted to shy away from the truth and live in some manufactured place of contrived peace.
âHe knows, and he loves you more than ever.â
âHe hates me.â
âHate isnât indifference. Indifference is the opposite of love. Josh hates in you the part of himself that he hates. Youâre giving him what he hates that he wants. You donât want him to hate himself, do you?â
She shook her head no.
âJosh misses you. Not the woman he marriedâhe loved that one, too, that one was his buddyâbut you showed him you could also be the woman of his darkest, wildest fantasies.â
âI donât ever want him to hurt.â
âItâs not up to you how he hurts. He hurts himself. He likes the hurt sometimes. Craves it. He likes how you scare him. . . . Kimmy, you make more money than he does. Youâre taller than him. Youâre beautiful. Your IQ is thirty points higher. Youâre fucking savage. And you guys are one thing. A unit. Itâs you who is fucking up the unity. Itâs you denying your husband all the things he wants. And itâs crazy, because you want it, too. You have to miss what you became. For like six weeks in your life, Kimmy, you were on top of the world. You had everything you wanted. You miss that woman. Josh misses that woman. I fucking miss that woman.â He sighed with heavy lamentation and shook his head.
She scowled, her neck throbbing and her pulse pounding hot blood into her cheeks and temples.
He said, âLook, if I fucked that up, Iâll own it. You donât have to listen to me. I donât expect you to. I want you to consider a different perspective. You did nothing wrong. You never did a single thing wrong, Kimmy. It was fun to think it was wrong, fun to sneak around and play devious games, but that was a ruse to heighten our pleasure, to raise the stakes because the real stakes were low. Low because both of us know Josh isnât allergic to what we were doing. Not one bit. Deep down you know it. You really do. Thatâs why I say youâre the cruel one. But I know youâre not cruel, I know everything you did you did with the hope your marriage could survive it. And hereâs the truth: Josh knows everything and Josh will be home when you get home tonight, and youâll eat dinner together and youâll climb into bed together, and before you guys go to sleep youâll both play a fantasy behind your sleepy eyes, one where Kimmy is in charge, Kimmy is kicking ass, Kimmy is making all the money, and her daddy loves her more than her sister, and she has the best sex of her life three or four times a week, and she goes home and her husband orders take-out and rubs her feet, and they watch movies together and cuddle, and every ion in Kimmy Changâs life is humming along, vibrant and incandescent, and Josh is happy and Devlin is happy andââ
She whipped her hand out from under his, snatching the napkin along with it. Tears swelled and she squeezed her eyes shut, pushing the napkin against them. She said, âCan we not do this now, please?â
Devlin removed his hand from her lap and rested it on the table. âI need you back, Kimmy.â
âIâm here. I didnât go anywhere. What do you want from me?â
âConfidence.â
She shot him a cold look. âI am confident.â Then saw herself reflected in Devlinâs obsidian gaze; wary and cornered, harassed, defending herself now like a hissing, cornered animal.
Devlin reached in his jacket and pulled out the money clip sheâd seen on his dresser the day sheâd snuck into his apartment to masturbate with a rubbery facsimile of his enormous penis. He plucked out two one-hundreds and tossed them to the center of the table. He held out his hand to her, assuming she would take it.
She frowned, unsure. âWhat are we doing?â
âGetting out of here.â
For the longest moment she stared at him with her hands in her lap, hating him, hating herself. Her lips trembled, her head ached from resisting the urge to cry. She put her cold hand in his and he guided her out of the banquette, out of the Bonjoubar, and into the alley.
Comments
L.
Wow: âAnd hereâs the truth: Josh knows everything and Josh will be home when you get home tonight, and youâll eat dinner together and youâll climb into bed together, and before you guys go to sleep youâll both play a fantasy behind your sleepy eyes, one where Kimmy is in charge, Kimmy is kicking ass, Kimmy is making all the money, and her daddy loves her more than her sister, and she has the best sex of her life three or four times a week, and she goes home and her husband orders take-out and rubs her feet, and they watch movies together and cuddleâ. Cruel, yet true. Amazing writing.
CSH
Itâs really neat how none of us are surprised that the chapter starts with âDevlin revolted her.â And ends with, âShe put her cold hand in his and he guided her âŠ. into the alley.â
Tim ziegler
Run Josh Run!
L_S87
I think its less about "satisfactory" in the subjective manner of "liking" the ending and more along the lines of it "making sense" (Or thats my take on it). While neither Cherry Blossoms or Learning Lessons was enjoyable or happy, they did make sense. I think some of us feel like past actions and statements from Josh and others would make certain outcomes, while dark and inline with some of KTs past stories, unsatisfactory due to them not making sense because they would seem to ignore previous parts of the story. It's one of the challenges of having a 10+ part series. Everything has to be cohesive, and that can be a challenge. I trust KT to live up to it because she's amazing, but it's a pitfall I've seen other authors fall prey to. Important to note that "making sense" can also be subjective.
L_S87
It is. While I disagree with several of CSH's assertions, that's the great thing, dark as they may be, about these types of stories from KT. Nothing is cut and dry, so much is in shadows that many things are open to interpretation or conjecture. It allows for a lot of different view points and opinions, all of which may be wrong at the end of it because KT is so good at obfuscation.
Donkatsu
KT's epics, including this one, Cherry Blossoms and Losing His Wife, do not necessarily end in a satisfactory manner. A common theme of the three: the husbands have childish pursuits - video games, model electric trains, children's books. {Jonny, too, but KT seems content to leave him caged as condign punishment}
Tracey52
I think Devlin is largely correct in what he says, but Kimmyâs deception is going to be difficult for Josh to accept unless he continues to ignore it. However, I donât see how that could be a satisfactory conclusion to the story.
Tracey52
Itâs certainly a tangled web.
CSH
This was well done KT, exactly the conversation Devlin had to have with her. The calculated but genuine admission of fault. Itâs manipulative but only in the way Kimmy wants to be manipulated. I think Devlin hit the nail on the head for once. All those things he said are true and the truth is the most powerful weapon for manipulation. Now we get the payoff. Evil bitch Kimmy will rock Joshâs world. If Kimmy consciously embraces what Devlin wants and what Josh needs, the erotic possibilities will be endless. It doesnât need to be 100% on all the time. Shifting back and forth between sweet loving Kimmy and evil Kimmy would be sharply painful for Josh, just the way he likes it. Giving him just enough of the old Kimmy to make him suffer when she takes it away from him again. As a tool of the story, I admit to liking the failure of Josh and Kimmy to openly discuss what they are doing. The uncertainty makes it even more erotic and Josh craves this uncertainty as much as the pain. It allows him a strange state of simultaneously being the passive victim of his mistress/wife while blaming himself as ultimately responsible for creating her evil persona with his fetishism. Not the way any sane marriage should work in real life, mind you, but It makes for a really great story. Once Josh eventually sees the truth with his own eyes, the pregnancy can be folded in if Kimmy simply never discusses with Josh exactly how she got pregnant.
L_S87
Well... we knew the inevitable was coming. I wonder what Devlin's plans are with this scenario and how Josh plays into it. As amazing as Kimmy is at manipulating Josh, Devlin is almost as good at manipulating her. Just enough truth in what he says that it all comes across as believable, even if half if it is lies, or at best, conjecture. The real problem here is that Kimmy wants to be that person Devlin describes. She enjoyed it SO MUCH. It just takes a little nudge to get her headed back where she wants to be and ignore the fact that someone who actually thought she didn't do anything wrong wouldn't have spent these last few weeks acting the way Josh did. Oh, sure, his dark kink likes some of it, but you don't describe someone as having thrust a dagger in your heart if they "did nothing wrong". I'm waiting to see if this is a house of cards, awaiting collapse, or a house of horrors. A horror where Josh is trapped by Kimmy who decides she wants the strong Kimmy that Devlin describes more than she wants happiness for her husband that she... "loves".
