Leonardo Battaglini

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Camera settingsISO 4001/40sf/455mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeThe construction of this shot is very simple: I exploited a sort of backlight where the light is spread on the subject modelling it and exalting its three-dimensionality. As you can see from the shot, the light coming from the window behind the model, I excluded the window from the frame and exposed it on the girl obtaining this result...

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Camera settingsISO 16001/80sf/1.855mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeThis shot is part of a shooting that complicated my life a little for a few reasons: the location was small, there was few light and I wanted to shoot with only natural light anyway. Despite this, we were able to pull out some interesting shots including this one. It wasn't the first time I shoot in a "reduced situation"...

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Camera settingsISO 4001/250sf/435mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeHaving fun, this is the keyword behind this shot. Sometimes the shots come out simply by playing and contrasting a nice breast with Mickey Mouse-style ears, that is a perfect way to achieve this. Often in the shootings I propose to the model to freely bring some outfit element that can be interesting and/or in line with the project an...

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Camera settingsISO 4001/1600sf/1.450mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeThis is one of those shots in which the photo tells the intimacy of the subject, in the expression of the face, in her eyes, you can read something inner and private, something that is usually guarded and hidden from the eyes of others. Here, this for me is an example of what boudoir photography means. A sofa covered by a wrinkled ...

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Camera settingsISO 4001/250sf/1.855mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeAnother shot where natural light is the protagonist, the only source of lighting is the window in front of the subject and a little help given by the wall behind the subject that works as a reflective panel that lightens the back. The play of light and shadow draws the shapes of the subject's body, giving a strong three-dimensio...

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Camera settingsISO 8001/80sf/435mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeSometimes, there are portraits that, thanks to the expression of the body, tell much more than a normal portrait even if they are "faceless". In this shot, despite not seeing anything explicit, we see everything... or rather the imagination allows us to see what is not shown. As far as technical details are concerned, the only ...

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Camera settingsISO 4001/320sf/435mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeA pure and simple portrait. Straight look into the camera and eyes that tell of her. In this shot the only source of light is a window on the left of the model, the window shutters a little closed to handle the right amount of light and the right expression of face and eyes. Beyond technicalities, light, etc. it is essential to establ...